Day 2 of the Black Fashion History Serie.
Author: Signed N
Welcome. This is the first post of the Black Fashion History Serie. We will highlight contribution of black creatives to Fashion Industry in the past and present. Starting off, is Elizabeth Keckley, credited as the primary dressmaker and friend of (the very first) First Lady of the United States, Madam Mary Lincoln.
(Author’s note : On second slide, last name should read Keckley and not Kelsey.)
Major thanks to the following publications for documenting the work and life of Madam Elizabeth Keckley.
(L to R) AOC, Dua Lipa, Selah Marley, Promotional Photos courtesy of Telfar
( Fair use )
In the last couple of years, these soft colourful tote bag embossed with the Telfar logo have graced both the streets and the virtual playground of Instagram making it the IT bag of the moment.
What is an IT Bag ?
The term first appeared in the nineties to characterize a luxury designer bag with high selling power, worn on the shoulder of influential women of the time.
Because of it’s high popularity, the IT bag regularly sells out and is regarded as an exclusive good. To stand out in the accessory market, the IT bag has to have a fresh elevated design who will seduce the fashion girls.
The Majority of IT bags are coming from big heritage brands (FENDI,CHANEL and HERMÈS). Telfar is one of few rising brands who produced their own IT bag, the Shopper.
Such accessory is an opportunity for consumers with thick wallets to buy into a very exclusive group of stylish people, to share space with their favorite models and actresses. But for others, it is to remain relevant in the fashion sphere, to show they are in the loop of the forever changing trends. And for all, it is a Status symbol.
2020 IT Bag : The Shopper (Telfar)
Made with synthetic materials and embossed with the sleek Telfar logo, the Shopper bag is designed for everyday use. If the shape is familiar, it’s because it is modeled directly after retail shopping bags (more precisely Bloomingdales). The designer Telfar Clemens wished to reenact the warm exciting feeling one has after shopping.
“The Shopping Bag first dropped in 2014 — meaning: our bag ain’t new — it’s the world that changes. Let’s keep changing.”
Telfar Clemens
Contrary to popular belief, the Telfar bag did not become the hottest accessory overnight. Understandibly so, since the rising brand didn’t have the traditional support of retail stores or the deep pockets of heritage brands. Over the course of three years, the bag slowly won the interest and hearts of its consumers. And when Clemens won the CFDA Fashion Fund in 2017, the bag’s future was secured… with new sizes and colors.
The price point of $150 to $300 makes it one of the most affordable IT bags in history. It’s a clear move by Clemens to make the good accessible to all. Only the bag would sell out in mere minutes at each drop, and as it often the case with exclusive items, it ended up on resale website selling for twice its retail price.
(Photo Credit : Andrew Morales/ WWD)
On August 19 2020, Telfar broke the unwritten fashion rule of exclusivity with the Bag Security Program.
In a historic 1 day sale, customers were given the opportunity to buy any Telfar bags with the guarantee to receive it by Jan 2021. Just like that, Clemens removed the exclusivity long associated with IT bags.
But why reject a business strategy which worked so successfully for heritage brands like Hermès or Chanel? Because Telfar is all about accessibility, about breaking the link between luxury and exclusivity. When Clemens founded his brand in 2009, he had to carve his own space in the still predominantly White Industry. His work is directly inspired by Black Culture and his middle class New York upbringing. It features reimagined every day items such as denim jackets or sport uniforms. It wouldn’t make sense for him to cater to the Elite and exlude the very own marginalized black community he draw inspiration from.
Additionally, Telfar designs unisex clothing making their bag truly inclusive of all genders. What other IT bag on the market do that ?
Telfar is about fostering a fashion community and giving all access to luxury goods. All of these elements couldn’t be more on par with the brand’s message: It’s not for you, it’s for everyone.
Luxury without scarcity — you could just call that freedom.
CLEMENS in PAPERMAG INTERVIEW
You might be wondering : Can the Telfar bag retain it’s IT factor with the loss of exclusitivity ?
Essentially, an IT Bag selling power is limited. But for Telfar, the public love for the Bushwick Birkin is still going strong. Remember the bag security program we mentionned earlier ? The revenue in that 24 hours sale alone surpassed the previous year bag revenue. For small independant brands that often live from the revenue of the previous season, having a pre-order is a smart move that will help them secure funds for production and invest in new creative venues.
As matter of fact, Telfar recently announced their upcoming 2021 Ugg collaboration. Along with several products, they teased the reimagined version of the IT bag in wool sherling last available for preorder on November 2020. And yes, the precious item is sold out.
(Photo Credit: Torso/ Courtesy of Telfar)
If it’s accessible to everyone, what motivates consumers to buy the Bushwick Birkin ?
Remember when we said that the appeal of IT Bag was its Status Symbol?Well, the Telfar customer buys into a community of diverse individuals who dress free of labels be it genders or “sartorial rules”. For a lot of black consumers, the connection to the brand runs deeper. For one, the number of black owned luxury brand is scarce. Perhaps, it’s also due to the fact that while black men and woman have been for decades the Muses of designers and culture trendsetter , they have not felt seen by the luxury brands. And that will always keep Telfar relevant to marginalized communities, specifically black consumers.
“Fashion is really about a monopoly on beauty and the weaponization of beauty by those who hold power. I think the same night we won the CFDA Fashion Fund in 2017 we started to plot a kind of escape. In fact we used the money to start our bag program.“
Telfar Clemens
By striping away the elitism of Fashion, Telfar has opened doors to a wider consumer demographic. His recent invitation to host his Fashion Show in Paris, the numerous celebrities endorsements and his recent title of 2020 Accessory Designer awarded by CFDA are all proof that Clemens is doing things right. While being authenticly himself. If anything, the pandemic and civil right movements this year have accelerated the wind of change that is shaking the Industry. New talent is settling, inclusivity isn’t a trend but a must.
Further read
- https://www.ft.com/content/df683f5c-4f3b-4372-a086-035b319e2c46
- https://www.businessoffashion.com/articles/luxury/telfar-new-york-designers-shoppingbag
- https://qz.com/1894901/telfars-shopping-bag-pre-order-sale-was-a-smart-business-move/
On November 27 2020, Unicef Ambassador and Supermodel Halima Aden, who rapidly rose to fame in 2016, took to Instagram to announce that she is quitting Fashion Week and will take a break from the Industry. She cites pressures to compromise her faith and beliefs as the reason behind her decision. Naturally, the news shocked her fans and the Industry. Her decision shared directly via social media bypassing her PR team is sending a clear message: Halima Aden is in full control of her story. (Boss move!)
– Short Bio –
The 23 year-old model rose to fame in 2016 following a highly publicized Miss Minnessota Pageant where she made history as the first participant to compete in a burkini. Soon after, she signed with IMG models and walked on many high profile shows (to name a few: Rihanna’s brand Fenty, Max Mara and Tommy Hilfiger), graced the cover of Vogue twice, appeared on Swimsuit Illustrated and became an Unicef Ambassador.
What pushed a young successful model to quit Runway Shows ?
Essentially, being first in the game means having to carve your own path in an Industry that has never welcomed a hijabi before. Since the begining, Halima has said that being herself and true to her values is her priority. She has set boundaries by requiring a separate changing room for all her Fashion Shows, and adding a clause in her modelling contract for her head covering.
In a 2017 Harper Barzaar Interview titled “Why Halima Aden Refuses to remove hijab for Fashion“, the Somali model explains how she felt compelled to turned down Spring season shows as they weren’t compatible with her wardrobe requirements (long sleeve, hijab, no pants unless worn under long garment-skirt). It’s important to note that within the muslim community, their interpretation of modesty differs. Even then, Halima mentions the pressure of fitting into the vision of her muslim fans, the stylist and designers who all see modesty differently.
But not all is grim as there has been lots of positive moments in her journey.
Halima fondly recounts that on her second Max Mara Show (2017), the designer presented her with many looks paired with custom scarves and even hired more up-and-coming hijabi models. “When MaxMara happened, I posted a photo and I said thank you for keeping my wardrobe requirements in mind. And this girl commented, “He keeps you in mind, he keeps us in mind. Now this Muslim shopper will keep MaxMara in mind.” – Halima
In her IG story, she recalls Rihanna letting her bring her own black scarf to the Show, a sweet moment she’s still grateful for.
But in a space where she is often than not, the only hijabi or muslim woman, the pressure to mold her scarf to fit the vision of the majority is rampant. Looking back at her 2017 campaign with American Eagle, the scarf is being swapped with denim jeans. The result is tone-deaf and mirror the “towel head” insult often hurdled at young hijabi girls.
Is this really the representation we asked for ? Looking back, the model is disappointed with the styling choices the brands she worked with took, stating her hijab was becoming less and less visible. She felt that she was being pushed into editorial choices that diluted her modesty. As a result, she felt more and more uncomfortable.
She felt that she was being pushed into editorial choices that diluted her modesty
Halima states that the pandemic and going back home, discussing with her mother, gave her the opportunity to distance herself from fashion and see where she felt she had failed.
Ultimately, she blames the lack of hijabi stylists and being blinded by the glitz and glamour of Fashion at her young age as the reasons why she almost lost her hijab.
Received Outpooring support from the industry : Naomi Campbell, Gigi and Bella Hadid, CFDA Director Steven Koln to name a few…
Halima story opens a whole debate on the quality of the representation given by big corporations and Fashion Houses. As for modest clothing, a concept embraced by far more than just Muslim Women, fashion has always kept the door shut. Never catering to the potential consumers who still yearn for a place in Fashion World. With clothes becoming skimpier each decade, modest dressers had to get creative and master the art of layering.
In staying, I would have lost my scarf.
Halima
As we are finally seing western brands entering modest market, it disapointing to be packaged a eurocentric “modestwear” and hijab that often contradicts the whole idea.
Sadly this isn’t anything new. Last year, retailer Banana Republic got under fired for styling their first hijabs with short sleeves and a wide leg slit dress. While there is different levels of modestwear, typically the hijab covering should be accompanied with full coverage clothes. BR later apologized and attempted to salvage the pictures with good old-fashioned “cropping” but not without shifting the blame on model stating she styled her own.
“I can guarantee you she had no say in the styling. And even if she did, knowing how these sets work — models are treated like props and their input is rarely welcome. So don’t blame her even though @bananarepublic made it seem like she styled everything. That’s just a caption”
–Mariah IDrISS (hijabi model and activist)
(Note, the banana republic case is quite complex as it also highlighted tension within the muslim community and difference in modesty. It is also worth nothing that the face of the online discussion against banana republic is th owner of a global hijab brand. There has been no official comment from the model @thisgirlfatuma.)
What all these episodes hightlights is the need for a spokeperson of the consumers you’re targeting at the every step of the way. You need a hijabi or muslim woman in production, in styling, in marketing… Simply treating a hijab as an accessory will not cut it, you need to understand it’s the context and significance. Luckily there remain many muslim owned or diverse companies who understands and caters to the modest market. Morever, I beg to ask in the light of this styling mishaps and Halima’s experience – Are global western companies simply interested in a quick money grab in the estimated 283 billion dollar modestwear market ?
It is unknown if Halima is taking a break or quitting the Industry. The Somali American Model has signed a contract with one of the biggest agency IMG in 2017. What remains evident is that she fully attend to be in control of her narrative. Let Halima Aden’s story be a cautionary tale of the harm of bad representation diversity.
More Read on the Subject
Gucci called out for hijab/ Turban Appropriation
https://www.allure.com/story/gucci-turbans-hijabs-cultural-appropriation-milan-fashion-week
What Gen-Z Muslim Blogger are thinking about Halima quitting Fashion for her religion
Twenty years ago, Reese Wetherspoon brought the character of Elle Woods in Legally Blonde to life.
Recently, a cold rainy fall afternoon turned into an opportunity to re-watch the 2001’s comedy Legally Blonde. Here I thought, I would get a couple of good laughs and call it a day. Much to my surprise, I couldn’t help but notice how much I liked the professional outfits our heroine was sporting. Twenty years after the film’s release, most of the Elle Wood’s costumes remain wearable. Granted, I wouldn’t be borrowing her full fushia leather ensemble any time soon. But given how easy it is to fall in pattern of grey and black garments, my workwear could use a little touch of youthfulness and fun. (Let’s pretend we’re not in a pandemic and just living in Loungewear). As a matter of fact, from a fashion standpoint, Legally Blonde is the perfect backdrop for inspiration on young professional dressing.
Here are the four tips I learned from Legally Blonde :
Tip # 1 – Having a signature color creates continuity in your outfits.
Legally Blonde features a strong reference to pink. Twenty years later, if you wear an all pink look, chances are at least one person will reference Reese witherspoon’s character. Now you’re probably thinking : this is just a movie and I have no intention to wear an all pink look anytime soon. But here is my point. We can go on forever on all the benefits of a signature style: it saves you time, money and sets a specific image to the rest of the World. But settling down on what constitutes your own style, can take years and requires lots of experimenting. Which as you probably realize cost money.
So, how about narrowing down to a color ? You could start small by adding accents of your favorite color in the accessories (perhaps a bag, a necklace, or a belt). Going further, you could incorporate one piece of clothing in your signature color for every single of one of your looks.
Don’t believe me ? Look at the use of orange in fashion blogger Steffy’s outfits.
Tip #2 : BE CONFIDENT EVEN IF UNDERDRESSED
Let’s start with a cheesy quote : “Confidence have no competition”. In this scene, Elle is invited to her first Harvard party which she had been told was a costume party. She shows up dressed as a Playboy Bunny only to realize that she is the only one in costume.
Instead of runing away defeated, Elle doesn’t let it get to her. She carries herself with a healthy dose of confidence and inhabits the same comfort as if she was simply wearing a good pair of jeans. Eventually, she almost convinces us that a bunny costume can be a regular outfit to wear to your student library.
I said almost.
Tip #3 : Shop in the men’s section
Shopping in the menswear section can be a great idea. First off, you will save money. According to CNBC, Woman clothings cost in average 6% more than men. This is in part due to the “pink tax”, a term used to define the practice of charging woman more than men for the similar services and products (data from Canadian Labour Institute). Given that male consumer tend to prioritize practicality over trendy pieces, you are more likely to find higher quality items at a lower price if you just go through the men’s section. Menswear brands will also favor classic silhouettes.
Trend Report :
The oversized trend is ever so popular. One way to acheive the look ?
Picking a regular men’s vest which should naturally fit looser on your frame.
The trick is to balance out the proportions. If you go with an oversize on top, compliment it with a slimmer bottom piece (ex : trouser).
Lastly, dressing in both men’s and woman’s section doubles the chance to find great items. Why limit yourself ?
Tip # 4 : Don’t just wear the rack. Inject your personality into each outfits
As you enter the professional world, you don’t have to mute your personnality and fall for the same grey and black garments. You can infuse your individuality in the details and wear colors. Granted, some of us have strict dress codes since the policing of woman’s body continue to exist in 2020, but you can still leave trails of your individuality through accessories such as jewellery and scarves.
The Fashion Verdict
For me, the fashion lesson I take away from Legally Blonde is that being stylish in the workplace is a matter of utilizing the tools you have. Revisit the traditionally masculine garments ( necktie, blouse, cardigan ) and play with accessories to inject your individuality into your 9-5 outfits. Don’t be afraid to experiment as you develop your own signature look. As a matter of fact, it’s through trial and error that Elle shaped her impeccable professional dressing.
Who knew a 100% cotton tee could carry so much weight?
If you’ve watched Insecure, then you noticed that through the various ups, downs, and characters’ growth, one thing that remained consistent is Issa’s love for graphic tees. The garments with bold messaging appear at least once in every single episode. Believe me, this is not a mistake. It is a deliberate move by Insecure’s Costume Designer Ayanna Kimani to insert “Easter eggs”, as she refers to them, into the show. In a 25 minutes episode format, the tees serve as valuable insights into the character’s hobbies, interests, and political views without having to address them in the script.
Let us dive into the 4 types of messages behind Issa’s iconic graphic tee collection:
(Disclaimer : For this discussion, I will also include sweatshirts.)
I love to see if the viewers catch my little Easter eggs. I love to see how they interpret the wardrobe. I like to see that they’re understanding it, and then everyone showing love to the show, that’s the coolest thing.”
AyannA kimani for mic.com https://www.mic.com/articles/184147/insecure-costume-designer-ayanna-james-on-highlighting-black-designers-and-those-nude-scenes
1. A DECLARATION OF LOVE FOR BLACK CULTURE
Off Duty, Issa continues to sport her iconic collection of tees which serve as a declaration of love for black culture.
In the comfort of her own home, we see Issa lounging in her Miseducation of Lauryn Hill shirt, Mary Blige and Prince concert tees. This is as a nice homage to music icons and in the process, we discover that Issa’s musical taste are unapologetically black. We can almost picture her “borrowing” the Prince tee from her parent’s closet or stumbling onto it in a vintage shop.
At her friend’s art opening, she swaps her classic cotton tees – jeans combo for an elevated version of the casual look. We see her in a black The Last Poets sweatshirt paired with flared pants. For those who don’t know, founded in the late 60s, The Last Poets is a group of poets and musicians rooted in black nationalism and the civil rights movement. They are credited as the forefathers of hip hop and have been featured in songs by the likes of Biggie and Common. This is proof that Issa’s knowledge in music history runs deep and, as a result, couldn’t feel more authentic.
Interestingly enough, their costume designers have mastered the dual use of graphic tees. A noteworthy look is the Nina Simone “Feeling Good” shirt which not only praises the legendary singer but depicts Issa’s feeling as she undergoes a big transition in her life. With newfound clarity in both her personal and professional life, she is feeling good… great even.
“Most of the time when Issa is chilling, you’ll see her in a hip-hop T-shirt. I did that in Season 2 a lot, and I would always put her in a T-shirt that interpreted her mood.
Ayanna Kimani in Observer
Additionally, the show pays homage to the films and TV shows like Waiting to Exhale and Different World who have paved the way for a show like Insecure to exist today. The nineties were an era where black sitcoms were produced in mass, and Different World laid the groundwork for next generation of sitcoms. Not only did the show portray multidimensional black characters, tackled politics but each character had their own distinctive style. Much like Insecure. Likewise Waiting to Exhale is a reference film in the black community. In today’s climate where living black is an act of resistance, where the pain of women of color is exploited for the big screen (cue the struggling single mother trope). Alas, seeing Issa, a multi-dimensional black woman living a regular life, embracing her favorite artists and shows is nothing short of refreshing.
2. An opportunity to show love to her city
What New York is to Carrie Brenshaw (Sex in the City), Los Angeles is to Issa.
L.A. culture is an integral part of the show. When it is not mentioned through the script, be prepared to see it injected in one of Issa’s outfits. In season 2, we see Issa at her favorite taco truck wearing a denim baseball vest with the word Inglewood printed in red. Inglewood is a City of Los Angeles County where Issa lives. A few episodes later, we see Issa wearing a purple Outkast shirt paired with yellow sweats. This ensemble pays homage to the East Coast 90s hip hop duo while the color pairing is a nod to the Los Angeles Lakers. Perhaps the most memorable “Easter eggs” are the Nipsey and Prince Tribute. With the passing of Nipsey coinciding with the filming of season 4, the show decided to incorporate his Marathon Clothing line into Issa’s wardrobe. My favorite is the SuperMall Green Hoodie with its retro aesthetic very much in tune with Issa’s love of vintage.
3. Use as a political vehicle
Dubbed “conscious clothing” by the Costume Designer Ayanna Kimani .
T-shirts are also used to vehicle a political statement. Here, Hump shirt is making light of Donal Trump’s infamous slogan ” Make America Great Again”. Later, the show also revisits D.a.r.e, a failed anti-gang and drug program. One could interpret this as an invitation to push Issa outside her comfort zone. The most daring shirt is perhaps America’s Horror Story t-shirt by Inopportune Portrait, which features tiny Donald Trump figures. Interestingly, Issa wears it as she wakes up from a bad dream, anxiety-ridden after being ghosted by Nathan. Shot in 2016, perhaps this is a social commentary on America’s own political nightmare? One who, unlike Issa’s, they can’t seem to wake up from. Who knew a 100% cotton tee could carry so much weight?
4. Tees are also a sign of oppression
But her tees can also be a symbol of feeling stuck. The “We got y’all ” t-shirt with its controversial image of a white hand holding three black children isn’t a symbol of comfort. It represents Issa’s workplace, where she feels stuck and not understood by her colleagues. The same place where after a fallout with Frieda, her only work friend, she wears a Public Enemy shirt, a direct representation of how she feels her colleague perceives her.
As a matter of fact, t-shirts are used to illustrate tough messages such as the historical tensions between the FBI and black community through the “ FBI killed Fred Hampton” garment. While the sweatshirt worn by Issa on regular day to work is never mentioned in the storyline, the message is enough to raise a discussion between viewers. Not to mention the Trayvon hoodie worn by Molly on a girl’s night in as a tribute to the young victim of police brutality. What strikes me is the juxtaposition of heavy political messages with the normalcy of the characters who continues on their lives. Here fashion is used to show hard realities through the subtleties of clothes. It illustrates how black people navigate their days between microaggressions and traumatic experiences. Insecure doesn’t shove these hard messages down your throat, it has its characters wear them proudly on their chest and pushes you to reflect and investigate. And to you, I ask: what can be more authentic than a powerful message worn literally on one’s chest? That, my friend is how powerful fashion can be.
More read on the subject :
https://fashionista.com/2017/07/insecure-season-two-costumes-ayanna-james
As the recent season is wrapping up, let us look at Issa Dee’s style evolution .
After ten compelling episodes, your Sunday rendez-vous with Insecure are ending. For the last two months, you followed Issa and her friend Molly as they with no shortage of laughs and relatable awkwardness navigated the currents of relationship, new jobs, and friendships. In Season 4, we see our characters slowly break away from their pattern of questionable choices and get to witness serious growth. And along with that? Some killer fashion moments. The plot, the dialogue with all its twists has already been diligently dissected by its loyal following but what about its fashion moments curated by costume designers Ayanna James- Kimani and Shiona Turini? They say that an image never lies. So if Issa is in the process of “glowing up”, how did it translate to her style?
“I think [my job is to help] relate the character’s story, to make it feel personal, so when the audience is watching they feel like, Oh, I know that person. That was the key in the choices I made for all of the characters. Issa’s world is a lot more color and texture, playing with prints and patterns. – Ayanna Kimari, Former Insecure Costume Designer in People
Issa’s Personal style: quirky with lots of prints
A quick glance at Issa Dee’s looks through the seasons and you’ll spot what makes up her favorite pieces: bold prints, cut out pieces, and provocative graphic tees. If anything, Issa has never been shy with fashion and has worn every pattern imaginable from west africain prints to classic plaids. It’s her ability to pair different prints and colours in one outfit that makes her looks so undeniably Issa. At first, you might reject the unsuspected pairings, but in a matter of time, the looks grow on you. You can’t tell if it was a happy accident, a result of grabbing the first clean clothes she could find or simply an innovative fashion moment. It feels quirky and true to Issa, the same person who free-style raps in front of the mirror to build her confidence or release her fears and frustrations.
Likewise, cut outs and fringes on a jacket or shirt are another way Issa injects her fun personality on what could have been an otherwise boring outfit. The Crepe Silk Fulani Blouse by black-owned brand Maki Oh is an example of that. The large cutout in the middle of the shirt shows off her toned abs and presents a fresh take on the crop top trend.
As the title suggests, the show is about Insecure Issa and through her appearance , that means that there is often a disconnection in her looks
Disconnection in her looks
Ultimately, as the title suggests, the show is about Insecure Issa, and through her appearance, that means that there is often a disconnection in her looks. Here the overlapping fabric can’t help but bring unwanted attention to her lower abdomen and ruins the overall look. As costume designer Ayanna James explains in an interview with Racked, Issa wardrobe consist of thrift and vintage pieces as her “world is supposed to feel more lived-in, a lot of her stuff should’ve felt old.” Which makes sense considering her nonprofit salary. While thrifting is a great way to collect unique pieces, a fatal mistake one can make is failing to pick clothes that fit your body.
The acid wash khaki print dress with the bright silver straps in season 1 is unflattering to her figure and wash down her skin tone. Coincidently, Issa wears it while she desperately attempts with little success to mend her relationship with Lawrence. Her outfits ultimately reflect the state she is in: lost and in search of direction. Both in her professional and love life.
Utimately, Issa is glowing-up
Sidenote: Look at the contrast between (LEFT) the outfits worn by our career woman Condola and Molly and (RIGHT) Issa who is aspiring to level-up in her professional life and establish herself as a successful event planner. Issa’s NANUSHKA outfit is prime casual chic – the shape is classic but the acid wash in copper brings a fresh pop of colour and compliment her brown skin.
On the opposite, Condola and Molly are wearing timeless structured in cool colors.
But in season 4 Lowkey distant, the acid wash prints get a redemption in a fitted midi dress worn by Issa during a business meeting. The NANUSHKA number sums up a shift in Issa’s sartorial choices. Now, our beloved heroine has gained a sense of purpose in her life; she focuses on herself and sets on planning the best Block Party and parallels to that, her outfits now appear polished. Her professional network is rapidly expanding, and she is trying her best to refine her image along with it. Her fashion style remains authentic, but prints are more subdued and cohesive with the overall looks while she favors geometric cutouts that are sexy and flattering to her figure. She even explores different hairstyles and includes accessories that add depth to her outfits. In season 4’s Lowkey Happy, Issa grace the screen in a rich red Thebe Magugu Safari Jacket beautifully cinched in at the waist with cut-outs exposing the neck and shoulders. Having recently joined the dating pool, it is fun to see our heroine experimenting with her sexy side. The tailored piece is in direction with Issa’s new image: polished yet sexy and feminine.
As Costume designer Shiona Turini explains in The Cut “We stuck to an aesthetic that feels authentic to her character, but elevated it. This season, as a reflection of her professional goal, she purchases — and then returns to Opening Ceremony — clothing that she thinks fits her ideal self. She’s not yet where she wants to be, but she’s making more conscious choices into the woman she’s becoming.”.
As viewers, we’ve all had similar episodes in our life where we’ve upgraded our style in anticipation of our ascension up the professional ladder. For Issa, this means that her style is finally growing out of its college-phase and moving towards a classier and more feminine look.
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What are your thoughts? Do you have any suggestions for another character style analysis?
Want more ?
Tune in the next week for Part 2: How graphic tees are used as political and social tool in Insecure.